The Sign of Four, Greenwich Theatre
Nick Lane’s revisionist take on the Sign of Four differs from Conan Doyle without damaging him.
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Author: Ed Whitfield
I'm a writer and blogger, as well as the man scowling at you as you cough, check your phone, fidget and/or whisper to your partner during a performance. We can hear you, idiots.
The First Modern Man, Hen and Chickens Theatre Bar
The First Modern Man is a great evening in stimulating company.
A Winning Hazard, Finborough Theatre
J.P Wooler’s Victorian comediettas still have something to say about male and female courtship, says Ed Whitfield.
Square Rounds, Finborough Theatre
Square Rounds at the Finborough Theatre is sheer poetry, says Ed Whitfield.
Titanic: The Musical, Bromley Churchill Theatre
Was the Titanic’s lookout distracted by singing passengers? A new show says yes.
The Dog Beneath the Skin, Jermyn Street Theatre
W.H Auden and Christopher Isherwood’s classic play couldn’t be more potent on the road to Brexit.
Mad as Hell, Jermyn Street Theatre
You’d be mad not to see Mad as Hell.
The Boring Room, Vault Festival
If an usher has to wake someone up in the front row and direct them to watch the play, that’s a bad sign, right?
Cyril’s Success, Finborough Theatre
The years have been kind to H.J. Byron’s witty farce, now playing at the Finborough Theatre.
