Author: MerryChrisSmyth

  • La Soirée, Aldwych Theatre

    An international cabaret phenomenon, La Soirée has been seen for the last few years in places like the Spiegeltent at London Wonderground, but it makes the leap across the river to the West End and nails the landing. For those unfamiliar, La Soirée (formerly known as La Clique) has been on the go for around…

  • La Casa de Bernarda Alba, Cervantes Theatre

    NOTE: The House of Bernarda Alba is staged bilingually at the Cervantes Theatre in Southwark, with an alternating cast for the English and Spanish performances. This is a review of a Spanish-language performance. Lorca’s enduring tragedy, The House of Bernarda Alba, is both one of the playwright’s best-known pieces and one of Spanish drama’s most…

  • The Fall, Royal Court Theatre

    In 2015, in response to the lack of transformation in South Africa following colonialism and apartheid, a group of students at the University of Cape Town began a protest, the focal point of which was initially an on-campus statue of Cecil John Rhodes, a symbol of colonialism. Written and performed by students from the University…

  • Ink, Almeida

      In the world of journalism, the story is everything. This lesson is drilled into us time and time again over the course of Ink, James Graham’s latest play, which charts Rupert Murdoch’s 1969 acquisition and rebranding of The Sun, which would permanently change the landscape of British journalism. Graham wisely chooses not to moralise,…

  • Dreamgirls, Savoy Theatre

        35 years in the waiting, Dreamgirls has finally arrived in the West End. Charting the rise of the Dreamettes, (later the Dreams) an American R&B girl group in the 1960s, Henry Krieger (music) and Tom Eyen’s (book & lyrics) story bears more than a passing similarity to the real-life story of The Supremes.…