Acorn, The Courtyard
Tatty Henderson’s production is visually and technically strong but Maud Dromgoole’s content as an adaptation of Persephone and Eurydice is
Undead Bard, Theatre N16
In this play of two parts Robert Crighton’s production has mixed results. The first half is a lecture by
The Boys in the Band, Park Theatre
Written in 1968 Mart Crowley’s The Boys in the Band is revived at the Park Theatre, with the all male
The We Plays, The Hope Theatre
I tore pretty hard into Andrew Maddock after his disappointing Data at Wimbledon Studios. It was clear Maddock had potential
Father Comes Home from the Wars, Royal Court
This is a play in three parts, which sounds more grand than it actually is. It is three short plays
The Tempest, Donmar at King’s Cross
Philydia Lloyd’s production of The Tempest concludes the all-female trilogy, which will see Julius Caesar and Henry V return to
No Man’s Land, Wyndham’s Theatre
This is, without doubt, one of 2016’s must see shows. It combines a well-known play and two national treasures; Sirs
The Entertainer
The Entertainer, the final production of Kenneth Branagh’s 2015/16 season was one of my most anticipated plays of the year
‘You’d need to pay me to drink here’ London’s Theatre bars and pubs
Why are theatre bars such grim places to have a drink? I was inspired to write this blog by my
