Athena Stevens’ new play gives the audience both barrels in addition to bureaucracy and discrimination.
The Wind Heaven is something of an old fashioned brain fart.
Chemistry uses the wonderdurg of intimate performance to produce a great two-hander.
It’s the play you know with added, if implicit, racial commentary. Does it work? Well if you read on I’ll tell you!
Velvet invites you to take a trip down the River Weinstein with a young wannabe. No leaving the boat!
What’s lost when your local boozer becomes a block of overpriced flats? A lot, if Anna Jordan’s play is anything to go by.
If the devil’s in the detail, David Hare’s old polemic against Rail Privatisation is a satanic ejaculation.
It’s a gig! It’s a one-woman show! It’s the past repackaged as theatre! It’s…problematic?
J.B. Priestley’s old standard turns up unannounced in Bromley and withstands modern scrutiny with its timeless call for a compassionate society.