Gasping, The Space
Presenting a revival of Ben Elton’s early 90s environmental farce Gasping in The Space, located just minutes from Canary Wharf, is appropriate.
Author: beanisacarrot
beanisacarrot left her native Adelaide at some point between Australia's failure to become a republic and John Howard being appointed "Sherrif of the South Pacific". She can now generally be found in London.
The Psychic Project, Vaults Theatre
It’s only fair to say this up front, but the performance of magician and mind reader David Narayan’s The Psychic
Dialektikon, Park Theatre
Dialektikon is appropriate at this time of year. Theatres are full of pantomimes, re-workings of fairy tales, so why not a left-leaning and timely one?
The Incident, Canada Water Theatre
The Incident is a timely one-act play about structural racism in Sweden but this tale of a relationship between Swedish Jan and Zimbabwean Monica could be about any mixed-race couple in the Western world.
Coelacanth, The Cockpit
Coelacanth, a dark one-act comedy which is part of this year’s Camden Fringe, is set in a world where assisted suicide has been legalised.
Hymn to Love, Jermyn Street Theatre
Hymn to Love at the Jermyn Street Theatre plays homage to the life and work of Edith Piaf, drawing on Piaf’s extensive and well-loved repertoire, much of which was autobiographical.
Napoleon Disrobed, Arcola Theatre
Told by an Idiot’s Napoleon Disrobed is a larger-than-life comic imagining of the final days of the Emperor Napoleon, based
Daisy Pulls It Off, Park Theatre
Daisy Pull It Off only works if the performers get the tone right. In Park Theatre’s production, they do it perfectly – it’s a hilarious show.
Bad Roads, Royal Court Jerwood Theatre Upstairs
Bad Roads by Natal’ya Vorozhbit is a much-needed reminder of what’s happening in the Ukraine and how the war is affecting its willing and unwilling participants.
