In post-Brexit Britain, the past is more than a foreign country.
Athena Stevens’ new play gives the audience both barrels in addition to bureaucracy and discrimination.
The Wind Heaven is something of an old fashioned brain fart.
Chemistry uses the wonderdrug of intimate performance to produce a great two-hander.
Review by Melinda Haunton Fifteen minutes before the end of Exodus, I wrote “Is this a tragedy?” in my notes.
J.P Wooler’s Victorian comediettas still have something to say about male and female courtship, says Ed Whitfield.
Square Rounds at the Finborough Theatre is sheer poetry, says Ed Whitfield.
The years have been kind to H.J. Byron’s witty farce, now playing at the Finborough Theatre.
Finborough Theatre opens its door to new creatives Introduce Yourself is for new directors, designers, lighting designers, sound designers, choreographers, movement