On 9-10 August Illyria’s open air production of Jane Austen’s will come to the world famous Westminster Abbey’s Dean Yard as part of a UK Tour, now its fifth year. Its run at the 2003 Edinburgh Fringe the queue for returns stretched around the block.
In a social whirlwind of balls, dinners and very eligible officers, Lizzie Bennett and Fitzwilliam Darcy stand alone as the only sane people – and they hate each other! Or do they? Can she see beyond his pride, and can he overcome her prejudice, in order to achieve their mutual happiness?
If your idea of Jane Austen is costume-drama, empire-lines and tea-parties, then this sparkling adaptation, based entirely on the original novel, is something to make you change your mind. Bring a picnic and have a ball as the irrepressible Illyria sharpen their claws to bring you Jane Austen at her vibrant, pacy, forthright, bitchy best!
Recommended for adults and children aged 5+
Child/Adult tickets: £13.50/£15
Tickets can be bought via the Westminster Abbey site
Following the previous sold out and highly acclaimed three editions, HerStory FEMINIST THEATRE FESTIVAL returns to Theatre N16 on the 18th and 19th of June.
Founded by a European theatre maker Nastazja Somers, HerStory aims to challenge the misrepresentation of women in theatre and broaden its narrative by staging daring and political work and fighting for representation by those whose voices are often silenced.
During two nights HerStory will stage a multidiscipline range of high quality work which includes spoken word, performance art, new writing and solo shows.
Ahead of its first anniversary at the Prince Edward Theatre, Disney’sAladdin has released behind-the-scenes photography of the new company in rehearsals. Having opened to critical acclaim in London’s West End in June 2016, the hit musical based on the classic Academy Award®-winning animated film will celebrate its first birthday in the West End on 15 June 2017.
Matthew Croke joins the production in title role of Aladdin, marking his debut in a leading role in the West End, with his first performance on 5 June. Jade Ewen and Trevor Dion Nicholas continue in the roles of Jasmine and Genie respectively.
Tickets are now on sale for performances up to and including 2 December 2017 for individuals and 2 June 2018 for group bookings. For further details please visit www.aladdinthemusical.co.uk
The new Aladdin company welcomes Nick Cavaliere in the role of Iago, whilst current cast members Miles Barrow, Leon Craig and Daniel de Bourg step into the roles of Omar, Babkak and Kassim respectively. Don Gallagher and Irvine Iqbalcontinue in their respective roles of Jafar and the Sultan.
The new cast also includes Chanelle Anthony, Danny Becker, Cindy Belliot, Filippo Coffano, Nolan Edwards, Sinead Kenny, Travis Kerry, Dann Kharsa, Tarisha Rommick, Joshua Steel, Monica Swayne, Damien Winchester and Niko Wirachman. Danny Becker,Travis Kerry and Niko Wirachman join the production after entering international open auditions.
The remaining cast comprises Arran Anzani-Jones, Albey Brookes, Lauren Chia, Bianca Cordice, Cavin Cornwall, Melanie Elizabeth, Kade Ferraiolo, Antony Hewitt, Mitch Leow, Oliver Lidert, Ian Oswald, Kyle Seeley, Sadie-Jean Shirley, Ricardo Spriggs, Kayleigh Thadani and Jermaine Woods.
Aladdin is designed by Olivier and seven-time Tony-winning scenic designer Bob Crowley, five-time Tony-winning lighting designer Natasha Katz, Olivier and two-time Tony-winning costume designer Gregg Barnes and sound designer Ken Travis. Casting is by Jill Green CDG.
Purple Rain, a spectacular new theatrical event celebrating the music of one of the world’s greatest pop artists, Prince. Directed by Gary Lloyd, director of hit production Thriller Live, Purple Rain will feature stunning choreography and will be an exhilarating journey through Prince’s entire career. Presented by West End producers, Adam Spiegel and Mark Goucher, with Claire-Bridget Kenwright, Purple Rain will tour the UK from February 2018.
Prince revolutionised the music world with his inimitable funk and soul driven style. He exploded the boundaries of music and created some of the most iconic songs of the 20th century including Raspberry Beret, Kiss, When Doves Cry, Little Red Corvette, 1999, Purple Rain, Alphabet Street, U Got The Look and more!
A 26-strong group of supremely talented musicians, singers and dancers will bring Prince’s music to life for an unforgettable evening that showcases his songwriting genius and pays homage to his imagination and showmanship. Purple Rain is a fitting, fresh and vibrant night of pure celebration.
Director Gary Lloyd said
‘Prince’s music and constant reinvention is legendary, so to get the opportunity to bring that and all his colourful characters to the theatrical stage is a dream. There is also a real appetite for live music shows that showcase the musicians as part of the performance. Prince was all about this. Prince was a consummate, theatrical artist, but in our show his music is the star. There will be so much for audiences to enjoy whether they’re fans of musical theatre, Prince, or both. Purple Rain is a fast-paced, music lover’s night out that will tease, surprise and excite audiences in the same way he did.’
Multi award-winning director and choreographer Gary Lloyd has earned critical acclaim for his many and varied productions includingThriller Live, Carrie – The Musical, 20th Century Boy – The Story of Marc Bolan, The Genius of Ray Charles, Flashmob and many more.
Casting, including star guests, and further tour dates will be announced in due course.
19 – 24 February 2018 Theatre Royal Plymouth
Royal Parade, Plymouth PL1 2TR
Box Office: 01752 267222 www.theatreroyal.com
ON SALE SOON – check website for details
26 February – 3 March 2018 Everyman Theatre Cheltenham
7 – 10 Regent St, Cheltenham, Gloucestershire, Cheltenham GL50 1HQ
Box office: 01242 572573 www.everymantheatre.org.uk
*Will go on sale on w/c 3 July 2017 – check website for details
In his first season as artistic director of Theatre N16, Scott Ellis presents a slew of new writing.
Olympilads by Andrew Maddock, produced by Lonesome Schoolboy and directed by Niall Phillips, reunites the team that presented He(art) at Theatre N16 earlier this year. Theatre N16 executive director (and former artistic director) Jamie Eastlake will present his new show Deadline Day by John Hickman and Steve Robertson: a bittersweet tale about football, greed and the North-South divide.
Ten emerging artists debut a selection of original and varied works exploring feminism today in Maiden Speech: A festival of fresh feminist voices. Theatre N16 will also produce a new play by Sarah Milton, directed by Scott Ellis.
End of the Line Theatre, one of Hull Truck’s supported companies, will present Poverty Porn by Catriona Kerridge, followed by a series of military-themed plays (including IED by Martin Mcnamara and Last Man Standing by Judith Cole). Last Man Standing will be run as part of Theatre N16’s First Credits scheme, which will give 7 new graduate actors their first professional experience in the industry.
After the success of The Snow Queen, Theatre N16 will also produce a new telling of Peter Pan, adapted by Frankie Meredith, to play during October half term.
The season will also see the return of N16 Presents: 4 emerging writers will receive 2 months of support culminating in a showcase of 4 brand new short plays.
Scott Ellis says: “My first season puts writers and fine writing at the forefront of every production. I am excited to include 2 brand new commissions, which I will direct myself; returning writers, from the most successful of recent N16 productions and exploring fresh new voices at the cutting edge of the London Fringe scene.”
Theatre N16 is a trailblazing London fringe venue, focused on producing and programming top quality new writing and selected existing works. Theatre N16 is proud of their commitment to the welfare and development of creatives, operating under an Equity Fringe Agreement. This promoting and nurturing of talent means that Theatre N16 is a bastion for development within the context of a society in which the arts are increasingly struggling to stay afloat.
After last year’s two sold-out shows, WEST END BARES, theatre’s hottest annual fundraiser, is returning on Sunday 29 October 2017 to The Novello Theatre at 7pm and 9.30pm in aid of the Make A Difference Trust.
Tickets are now on sale with an Early Bird offer of 20% off the top three ticket prices available for one week only, until Sunday 21 May.
This year’s theme and celebrity guests will be announced in the summer. Previous celebrity supporters have included Eddie Izzard, Dame Judi Dench, Michelle Visage, Samantha Bond, Graham Norton, John Barrowman, Ramin Karimloo, Bianca Del Rio, Joe Lycett and Beverley Knight.
The event is based on the original concept ‘Broadway Bares’ by legendary Broadway and West End director and choreographer Jerry Mitchell to benefit Broadway Cares/Equity Fights Aids.
See highlights from last year here
The Make A Difference Trust is a UK based charity with a vision of a world free from HIV and AIDS. Building on the legacy of 25 years of fundraising by the Theatre industry, they continue to make the vision a reality having distributed over £1.6million in grants to support individuals experiencing hardship across the UK as well as over £1million to support projects with their UK and international partners. For further information about the Make A Difference Trust please visit www.madtrust.org.uk
Tickets for WEST END BARES are on sale from Monday 15 May at 2.00pm and are priced at £15 – £100. Early Bird tickets are available from Monday 15 May to Sunday 21 May with 20% off the top three ticket prices.
Tickets are available from www.delfontmackintosh.co.uk or the DMT WEST END BARES booking line 0844 482 5172 and in person at the Novello Theatre Box Office. Booking fees apply and calls to Delfont Mackintosh Theatres 0844 numbers cost 7 pence per minute plus your phone company’s access charge.
West End Bares are proud to be partnering with 100 Wardour St for this year’s exclusive After Party where you can continue to celebrate with the cast of the show. Tickets cost £10 and are only available when you buy a ticket for the 7pm or 9.30pm show. Once again, there is limited availability for the After Party and when the tickets are gone, they’re gone – so don’t miss out!100 Wardour St is split between a laid-back Bar & Lounge and chic Restaurant & Club, offering great food from midday right through until 2am with classic and contemporary cocktails. As befits the venues history as the site of London’s iconic Marquee Club where artists like David Bowie and The Rolling Stones performed, there are DJ’s and live music five nights a week.
TRH Productions will present Natalie Dormer and David Oakes in the West End premiere of David Ives’ hit Broadway play Venus in Fur this autumn for a strictly limited nine-week engagement at the Theatre Royal Haymarket. This critically-acclaimed two-hander will run from 6 October to 9 December with opening night for press on 17 October.
Enigmatic actress Vanda Jordan appears unannounced for an audition with director Thomas Novachek. She’s determined to land the leading role in his new production – despite seeming wrong for the part. Over one evening in downtown Manhattan, their charged meeting becomes a seductive dance to the end.
Directed by Patrick Marber, designed by Rob Howell with lighting by Hugh Vanstone and casting by Executive Producer Ilene Starger, Venus In Fur is an intoxicating dark comedy of desire, fantasy and the innate love of fur.
Natalie Dormer is to play Vanda Jordan. Dormer is known globally for film and television roles including Margaery Tyrell in HBO series Game of Thrones, Anne Boleyn in The Tudors for Showtime, Cressida in The Hunger Games: Mockingjay Parts 1 and 2, Focus Features’ The Forest, Ron Howard’s Rush, and Ridley Scott’s The Counselor. Upcoming, Dormer stars opposite Sean Penn and Mel Gibson in The Professor and the Mad Man, and the independent thriller In Darkness, which she also co-wrote. She is currently in production on FremantleMedia’s Picnic at Hanging Rock in Australia. Venus in Fur sees Dormer reunite with Patrick Marber, who wrote After Miss Julie (Young Vic) for which she received widespread critical acclaim in the title role. Her other stage credits include Sweet Nothings (also at the Young Vic) and .45 (Hampstead Theatre).
David Oakes is to play Thomas Novachek. Oakes is best known for portraying Juan Borgia in the Emmy Award-winning Showtime Original series The Borgias, for playing William Hamleigh in Emmy Award-winning mini-series The Pillars of the Earth, for BBC’s The White Queen in the role of George, Duke of Clarence and, most recently, on screen as Prince Ernest in ITV’s Victoria, for which he is currently filming the second series. Stage credits include Kit Marlowe in Shakespeare In Love (Nöel Coward Theatre) and Mr Darcy in Pride and Prejudice (Regent’s Park Open Air Theatre). Oakes will also appear in the film adaptation of Albert Sánchez Piñol’s thriller Cold Skin set for release later this year.
Patrick Marber is an award-winning playwright, screenwriter, actor and director. His productions of his own work includes Dealer’s Choice (NT & Vaudeville), After Miss Julie (BBC TV), Closer (NT, Lyric & Music Box NY) Howard Katz (NT), Three Days in the Country (NT) Don Juan in Soho (Wyndhams). His other directing credits include Travesties (Menier Chocolate Factory/ Apollo Theatre) The Caretaker (Comedy Theatre), Blue Remembered Hills (National Theatre), ‘1953’ (Almeida) and The Old Neighborhood (Royal Court Theatre). Other plays include The Red Lion, The Musicians, The School Film (all for NT) and Hoop Lane (BBC Radio 3). His film credits include Closer (directed by Mike Nichols), Notes on a Scandal (directed by Richard Eyre), Old Street and Love You More. For television his co-writing credits include The Day Today and Knowing Me, Knowing You With Alan Partridge. More recently Ivo van Hove directed Marber’s version of Ibsen’s Hedda Gabler for the National Theatre starring Ruth Wilson. His plays have won Evening Standard, Olivier, Time Out, New York and London Critics’ Circle and Writers’ Guild Awards. His TV work has received BAFTA, British Comedy and Royal Television Society Awards. His screenplays have been nominated for Golden Globe, BAFTA and Academy Awards. He received the British Independent Film Award for Notes on a Scandal.
David Ives was nominated for a Tony Award for Best Play for Venus In Fur, which has been produced all over the country and the world, and was turned into a film by Roman Polanski. He is also well known for his evenings of one-act comedies All In The Timing and Time Flies. Other plays include New Jerusalem: The Interrogation of Baruch de Spinoza; The Liar (adapted from Corneille); The School For Lies (adapted from Molière); The Metromaniacs (adapted from Alexis Piron); Is He Dead? (adapted from Mark Twain); Ancient History, and Polish Joke. A Chicago native, he lives in New York City.
Rob Howell has worked extensively in costume and set design in theatre and opera within the UK and abroad including at the Royal Court, Almeida, Donmar Warehouse, National Theatre, Royal Shakespeare Company, Welsh National Opera, Royal Opera House and Metropolitan Opera, New York as well as at numerous other West End and Broadway Theatres. Recent credits include The Ferryman (Royal Court) and Groundhog Day (UK and Broadway). He has received three Olivier Awards and multiple nominations for Tony and Olivier Awards for both Set and Costume Design, including the Olivier Award for Best Set Designer for Troilus and Cressida, Vassa and Richard III in 2000 and for Hedda Gabler in 2006. He received an Olivier Award in 2012 and a Drama Desk Award, Outer Critics Circle Award, Tony Award in 2013 and for his designs for Matilda the Musical in New York and London.
Hugh Vanstone has designed the lighting for over 200 productions and worked extensively with UK national companies and on Broadway. He has received many awards including three Oliviers, a Tony and a Molière. As associate artist at The Old Vic, he has recently lit Art, No’s Knife, Groundhog Day (UK and Broadway), The Caretaker, The Master Builder and Future Conditional. Other work includes: Dreamgirls (Savoy), Welcome Home, Captain Fox and Closer (Donmar); The Red Lion (National Theatre, Dorfman); Closer (Donmar and in New York); An Act Of God (New York & tour); Matilda (RSC and internationally); Strictly Ballroom (Australian tour); Don Quixote (Royal Ballet); Tanz Der Vampire (throughout Europe & Russia); Shrek The Musical (New York, West End & UK tour); Ghost (London and internationally).
Ilene Starger is a Casting Director and Producer. West End theatre credits include The Libertine (as Casting Director/Executive Producer for TRB and TRH); Breakfast at Tiffany’s (as U.S. Casting Director for 2009 TRH production; also for 2016 UK tour.) Broadway credits include Waiting for Godot, No Man’s Land, Breakfast at Tiffany’s (Casting Director & Associate Producer), Marlene, The Elephant Man, Dance of Death, The Diary of Anne Frank, Dirty Blonde, Closer (Artios Award.) Film credits include Custody (also Associate Producer), The Rewrite, Pink Panther 1 & 2, Music and Lyrics, Two Weeks’ Notice, Night at the Museum (Artios Award), School of Rock (Artios Award), Sleepy Hollow, A Simple Plan, The Parent Trap, First Wives’ Club, Marvin’s Room, Robin Hood: Prince of Thieves, No Way Out. TV credits include: Witness to the Mob, The Great Gatsby, Earthly Possessions. Starger is a former VP of Casting for Walt Disney and Touchstone Pictures.
An adaptation of Leopold von Sacher-Masoch’s 1870 novel Venus in Furs that inspired the term masochism, Venus in Fur was first performed off-Broadway, New York in 2010 with Nina Arianda and Wes Bentley, before transferring to the Samuel J. Friedman Theatre on Broadway with Nina Arianda reprising the role of Vanda Jordan alongside Hugh Dancy as Thomas Novachek. Both productions were directed by Walter Bobbie and won Arianda multiple awards including the 2011/12 Tony Award for Best Performance by an Actress in a Leading Role in a Play. In 2012, Roman Polanski directed a film version of the play, in French, starring Emmanuelle Seigner and Mathieu Amalric.